By the time XTC’s The
Big Express was released, I was already a fan, chomping at the bit to
absorb all of their catalog to see if it was as good as Black Sea or English Settlement. The trouble was,
their records were not always available in my neck of the woods, so a rare
visit to a Tower Records presented me with a chance to get The Big Express (albeit on a pricey Virgin import) as well as score
a cheap cut-out of the band’s second release, Go 2.
It would take me all of the way back to Iowa to listen to it-cd
players still weren’t readily available-and it would take me even longer to get
used to the record’s polished production and the fact that drummer Terry
Chambers had left the fold and was replaced by a dude who didn’t even get
membership privileges.
Not that the album proceeding this one was a drum pounding
effort (which may explain why Chambers left) but The Big Express was being billed as a return to form and a polar
opposite of the soft arrangements that wrecked Mummer.
Sonically, The Big
Express is a harder album that its predecessor, but not in the drums and
wires way of XTC of old. While the arrangements may be a tad heavier-and heavy
handed in some cases-this is still a record of enormous pop zeal and quirky
arrangements just like in years past.
The album title and a few tracks suggest an almost steampunk
approach to the lyrical content, with references to trains, industrial centers,
and blue collar dreaming. What it doesn’t hint at are the nearly embarrassing
references to the cold war and the continuous fear of nuclear annihilation.
It’s here that Andy Partridge gets a bit preachy, claiming concern for the kids
while lambasting the parents for not doing enough to change the course of
nuclear proliferation.
In “This World Over,” he tells the story about a father
taking the kids on a hike of London ’s
rubble-supposedly the result of war-and fielding questions about “What was London like?”
In “Reign Of Blows,” he states that “Joe Stalin looks just
like Uncle Sam,” never mind the chord progression sounds like a Rolling Stones
outtake, complete with some pretty tepid harmonica work.
When he lays off the preachy politics, Partridge scores
easily. On the tremendous. “You’re The Wish You Are I Had” he recalls XTC’s wonderful
sense of playfulness within the melodies. Andy must have worked himself into
hyperventilation spitting out the steam engine tempo of the closer “Train
Running Low On Soul Coal,” furthering the tradition of the band’s tradition of
ending things on a strong note.
Guitarist Dave Gregory and Colin Moulding are critical in
keeping The Big Express from running
off the rails thanks to some top notch performances, including three positively
great tunes from Moulding. While Partridge make consistently produce some of
XTC’s best closing moments, Moulding shines with his opener “Wake Up” and he
displays talent beyond his own pop upbringings with the jazzy “I Remember The
Sun,” complete with stand up bass and Gregory’s fretwork.
While certainly not one of the band’s required listening
efforts, The Big Express does point
the ship in the right direction once again, paving the way for even more
rewarding records in their impressive catalog.
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