Showing posts with label Oasis. Show all posts
Showing posts with label Oasis. Show all posts

Saturday, October 12, 2013

Creations Founder Alan McGee Starts New Label

Mr. California Toothpaste
The last we heard from Creation Records' founder Alan McGee was that he had "retired" from the music business altogether, after a creative swell that made him one of the key figures in the Britpop movement of the 1990's.

The idea was that McGee was going to leave to focus on raising his young daughter.

But now it appears that McGee is returning to the industry that both broke and bankrolled him. Details of the new venture that is detailed in the press release below.

In other news, McGee's old money pit Kevin Shields recently spoke of his time on Creation, along with some very Orwellian comments on the British government's involvement with the Britpop movement of the 90's that seems far-fetched on the surface. "Someday it would be interesting to read all the MI5 files on Britpop." Shields mentioned in a recent interview with The Guardian. "The wool was pulled right over everyone's eyes there."

The reality is that Shields may be on to something.

McGee was a big contributor to the labor party and even worked in shaping Tony Blair's administration regarding Britain's "New Deal" towards the country's out of work youth. McGee's influence caused Blair to allow musicians to receive government assistance while eeking out an existence in a band or other creative endeavor.

But once the Labour Party got what they needed from McGee-a hip facelift for stogy old political movers-they shoved McGee from relevance about the same time that the entire Britpop movement began drying up and bands like the Spice Girls became the mainstream poster children for "Cool Britannia."

Shields also discounts any potential sympathy concerning My Bloody Valentine's drain on McGee's finances, declaring "You know, people shouldn't sign bands like us if they don't want to take on that responsibility. It's like getting a pack of big dogs and not feeding them. We were taken on ... carelessly. I just wanted to focus on music but McGee and Green hadn't encountered someone like me before, a person that they couldn't control."

No doubt that these kinds of stories are the ones McGee probably doesn't want potential upstarters hearing, but then again, these are the words of someone who took 17 years to come up with a follow up to Loveless and then tried to charge double the price for America to hear it. Where's the MI5 file on that?

Instead, we only have the press release announcing McGee's new venture:

Alan McGee, the legendary indie mogul responsible for signing Oasis, Primal Scream, My Bloody Valentine, and many other great bands to his Creation label before setting up Poptones, has announced his newest project, 359 Music. The label is a partnership between he and Iain McNay / Cherry Red Records, who will be handling the UK and abroad. MVD, who is celebrating 25 years of business this year, will take care of marketing and distribution in North America. McGee has given an open invite for artists to submit their music for consideration, and has promised to personally listen to them all.

McGee states: "Recently I found myself reinvigorated by new music again after being 5 years away from music living in rural Wales, and from which there has been much talk about how I will return to music. As recently talked about in the press, my original plan was to do a deal with major label backing in Japan. But when it came down to it I realised that I didn't want to come back to music through a major music label - that's not what I want to be part of. That's when I had a chat with Iain McNay from Cherry Red and we quite quickly put our heads together and developed between us a much better deal for 359 Music which will be a joint venture with Cherry Red.

The first ever person to ever approach me about music when I was 19 was Iain McNay from Cherry Red. That was 1980 and 33 years later Cherry Red still continues to send me publishing cheques for songs I wrote then. To me that just proves nothing but honesty and diligence. To me it makes sense and it excites me - it's where it all started and where I will have my, more than likely, last record label.

My vision for 359 Music is a launch pad for new talent and some ignored older talent. We intend to release on average a dozen new bands per year every year - maybe more if I find a lot of new talent I like. Hopefully some of the artists will stick around and make numerous albums with 359 but some will go on to other things and that is just nature of the musical beast.

Due to technology the world is much smaller these days and 359 Music will be run from rural Wales by phone and computer and the day to day engine room will be run by the Cherry Red team in London. So basically the day to day logistics of 359 Music will be handled by Cherry Red Records and the A&R signing policy and creative decisions will be my domain.

There is no agenda of 'let's be the biggest like Creation Records' - if in 5 years' time people who I respect and who love music can turn round to me and say 359 Music has put out some great music then that to me will be success. There really needs to be an outlet for new music artists that have been shut out by the system and I hope 359 Music will be that outlet.

So there you have it - 359 Music. I am extremely happy to be working again with my friend Iain McNay and to be again involved in the Cherry Red family after 33 years'"

Iain McNay adds: "Alan and I go back a long time, over 30 years in fact. Cherry Red celebrate their 35th birthday next month and we just continue to grow and grow. We released 623 albums (all on CD) last year, mostly catalogue but with an increasing number of new recordings. I only know of two other labels that have survived the late '70s Independent breakthrough intact in the UK; that's Ace and Beggars. I like to think of the three of us as the 'A,B and C' of British Independent labels.

I have always admired Alan's passion and belief in the music he loves. His maverick side will sit well with Cherry Red's committed Independent stance. I have no doubt we will have a great adventure together. One thing is for certain, working with Alan McGee is never going to be boring..."

Monday, November 5, 2012

15 Years After The Death Of Michael Hutchence

"Don't Let Your Pain Take Over You"

It’s strange how certain times of the year conjure up memories of an untimely rock and roll death.

For example, every Christmas season I’m reminded of the assassination of John Lennon. I received a copy of Double Fantasy for Christmas that year and remember how quiet it got for just a few moments when I unwrapped the present. The hush was an unscripted act of respect as it acknowledged the artist’s impact, the tragedy of his loss and how his murder deeply moved me, a fourteen-year-old kid who never experienced Beatlemania firsthand.

There’s another tragedy that’s even closer to Christ’s birth: the untimely passing of Joe Strummer. It’ll be ten years ago this Christmas, which is just a lifetime if you ask me. We could have really used a man like Joe to counterbalance the Bush years, and especially now, just to put some perspective on the entire 99% occupy movement (sorry, Michelle Shocked).

There’s the April Fool’s vibe of Kurt Cobain’s suicide, which rendered me a bit harder when getting too emotionally attached to a performer or musician. I no longer get as smitten with an artist I admire since that tragedy, and maybe that’s a good thing.

As we approach Thanksgiving here in America, there’s another artist passing that I’m reminded of. Perhaps it’s a bit overlooked, because pop music is itself made for immediate consumption and, by nature, doesn’t possess a very long shelf life.

But to me, the band INXS was a bit more than a typical pop band, and their lead singer was a bit more than a typical pop star.

We’ll reach the 15th anniversary of the passing of Michael Hutchence this month, and I’m willing to bet that we’ll hear very little about it this year, or in five years, or ten.

It’s because his death came during the decline of INXS, and it came after a half-assed comeback attempt where the songs still weren’t all the way there and the prospect of recapturing something that would bring the band back into the mainstream radar seemed highly unlikely to begin with.

A taste of that reality came during Michael’s presentation of Oasis with an award of Best New Video during the 1996 BRIT awards. Liam Gallagher joked when Hutchence gave him a peck on the cheek after meeting on stage, but his brother Noel was not as cordial. After admonishing the audience that he was now wealthier than they were, he saved his parting slam for the presenter himself: “Has-beens shouldn’t be presenting awards to gonna be’s.”


Time would eventually turn its cruel face to Oasis, but for Michael, time was something he was running out of much sooner.

He never fulfilled the promise of regaining the charts again, and he never experienced the cash flow that would have been provided on the oldies circuit. I say that without a hint of sarcasm, because I would have loved to see INXS at any capacity, any venue, and any point in their career. They were good enough to work as a well-oiled machine and Hutchence was the type of frontman who doesn’t come around very often.

I gave them up on Listen Like Thieves, and I watched as the friends who’d never heard The Swing suddenly bought up copies of Kick, leveraging the band into heights only reserved for music’s elite.

I lost further ground with X and Welcome To Wherever You Are, but they were constantly played at the radio station I was working.

Mark Opitz came back in the producers role for Full Moon Dirty Hearts, his first since spinning the knobs of Shabooh Shoobah. The album was ignored by fans and criticized by the press, but I liked it.

I missed the album Elegantly Wasted and Michael’s solo album entirely, but I was thrown for a loop when they announced that he died. Then came the back story, and the entire auto-asphyxiation controversy, neither of which were too flattering for the pop star.

Someone lying around here is a well worn VHS copy of Dogs In Space, Hutchence’s only starring role in a very weak, yet strangely compelling film about a punk band from Melborne set in the late 70’s. It’s where I first heard about Nick Cave and Iggy Pop’s Soldier album, thanks to the movie’s hard to find soundtrack.

Hutchence played the drug-addled lead singer, and his lack of any real dialogue didn’t matter. When he was on screen, your eyes were drawn to him.



Within a year, he’d be in the stratosphere, and within another 10 he’d be dead.

Hard to believe that it’s been almost as long since his death as it was when he was in the band. And the years that pass seem to turn him into a distant memory. The fact that the rest of INXS decided to use the name to parlay it into a brief reality show hasn’t helped either.

The reality is that INXS was better than a quick, final grab at notoriety.

With the 15th anniversary of the passing of Michael Hutchence, the band should now renew their focus on maintaining their vastly underrated catalog of pop-rock gems with more dignity to their shared legacy.

Saturday, July 23, 2011

Beady Eye Announce Fall Tour And Start Press Release War With Big Brother

Did you really thing Noel Gallagher would wait a full year without shooting a cannon portside, announcing "Me too!" in the post-Oasis recordings?

The consensus is that Beady Eye is credible Oasis covers, which means that Noel will have to come up with something beyond what he's done before to make this entire Oasis split worthwhile.

My money is that this time next year, people will begin whining for an Oasis reunion.

Here's the poop:

New York, NY - July 11, 2011 - Beady Eye announce today their return to North America with tour dates this Fall. The band (Liam Gallagher, Gem Archer, Andy Bell and Chris Sharrock) will be giving fans a first live taste of their debut album, Different Gear, Still Speeding in a series of concerts beginning in Vancouver, BC on November 29th, with a return stop in New York City on December 9th.

Beady Eye just wrapped their North American live debut with sold-out shows in New York, Chicago, Toronto and Philadelphia to rave reviews. The Chicago Tribune was there for the band's first U.S. date and noted "You can take the band out of the stadium, but you can't take the stadium out of the band, and Beady Eye whipped through songs from its debut Different Gear, Still Speeding Saturday with the confidence of a seasoned act with nothing to prove."

Tickets for this round of North American dates begin to go on sale on July 15th. Please see below for detailed ticketing information. The band will be joined by Matt Jones on keyboards and Jeff Wootton on bass for all dates.

Fans can click here for Beady Eye's just released video for "The Beat Goes On" that was filmed during their recent performance at the Isle of Wight Festival:



Beady Eye's debut album, Different Gear, Still Speeding was released by Dangerbird Records in North America on March 1st. The album features 13 brand new songs written by the band and recorded at RAK Studios in London last fall with GRAMMY Award-winning producer Steve Lillywhite (U2, Dave Matthews Band, The Smiths).

Upon reviewing Different Gear, Still Speeding, The Boston Globe stops the naysayers in their tracks and warns, "For all those who thought Liam Gallagher would be musically astray without big brother Noel, meet Beady Eye."

While Paste noted that Beady Eye "...sounds like Oasis returning to its less complicated roots, stripping back the heavily overdubbed layers of their curtain call, 2008's Dig Out Your Soul. Beady Eye aren't here to dick around-they're here to rock. And it would be a lie to say they've failed in that regard; this is an album of live, full-band rock 'n' roll energy, built on Rickenbacker crunch and Ludwig thump. There's no time for frills-Gallagher and company are making up for lost time."

Beady Eye was formed by three former members of Oasis, including enigmatic front man and lead vocalist Liam Gallagher. The multi-platinum and Grammy nominated Oasis sold over 70 million albums worldwide spanning seven studio albums awarded with six Brit awards, 15 NME awards, nine Q awards and four MTV Europe Music awards, just to name a few.


BEADY EYE NORTH AMERICAN TICKETING INFORMATION:

November 29 Vancouver, BC @ Commodore Ballroom
On Sale Friday, July 15th @ 10am at www.Ticketmaster.ca, and all Ticketmaster locations, Commodore Ballroom box office, and charge by phone - 604.739.7469


November 30 Seattle, WA @ Showbox Market
On Sale Friday, July 15th @ 10am at www.Ticketmaster.com and all Ticketmaster locations, Showbox Market box office, and charge by phone - 206.628.3151


December 2 San Francisco, CA @ The Warfield
On sale Sunday, July 17th @ 10am at www.Ticketmaster.com and all Ticketmaster locations and the Warfield box office an hour and a half prior to show time.


December 3 Los Angeles, CA @ Wiltern Theatre
On Sale Friday, July 15th @ 10am at www.Ticketmaster.com and all Ticketmaster locations and the Wiltern Theatre box office three hours before show time.


December 5 Minneapolis, MN @ First Avenue
On Sale Friday, July 15th @ 10am at www.eTix.com and all eTix locations, First Ave box office, The Depot Tavern box office, and charge by phone - 800.514.3849

December 6 Milwaukee, WI @ The Rave Ballroom
On Sale Friday, July 15th @ 10am Ticketmaster.com and all Ticketmaster locations, The Rave box office, and charge by phone - 414.342.7283


December 8 Washington, DC @ 9:30 Club
On Sale Friday, July 15th @ 10am at www.TicketFly.com, 9:30 Club box office, Merriweather Post Pavilion box office, and charge by phone - 877.435.9849


December 9 New York, NY @ Terminal 5
On Sale Friday, July 15th @ 12pm at www.Ticketmaster.com and all Ticketmaster locations, Terminal 5 box office, Mercury Lounge box office, and charge by phone - 212.582.6600 or 212.260.4700

Friday, July 22, 2011

Noel Gallagher Announces New Album Details And Fall Tour

No idea who came up with the name, someone should smack that person.

High Flying Birds?!

That's a lame Elton John song from '73, or something.

But anyway..

I didn't bother with the press conference thing, because nobody gives a shit about when an album is released, the cover art, the track listing, blah blah blah.

I did notice that it was produced by Dave Sardy, so that's pretty badassed.

July 14, 2011 - At a press conference in London last week, NOEL GALLAGHER officially announced the release of his first solo album project since the split in 2009 of the mega-platinum UK band Oasis. NOEL GALLAGHER'S HIGH FLYING BIRDS, the album eponymously named for Noel's current working band, will be released on November 8th in the U.S., on Sour Mash/Mercury Records.

Noel Gallagher's High Flying Birds will tour this autumn in support of the album, dates to be announced in the months ahead. At the press conference, Noel stated that the band would be performing classic Oasis tracks along with his new solo material. "I'm proud of them and of what they mean to people," he said of the Oasis repertoire. "I'll never do a gig without playing them. They're like drugs to me."

NOEL GALLAGHER'S HIGH FLYING BIRDS was recorded in London and completed in Los Angeles during 2010 and the first half of 2011. The album was co-produced by Noel Gallagher and David Sardy, who produced the last Oasis album, Dig Out Your Soul (2008).



Following is the track listing for the new album:

1. Everybody's On The Run

2. Dream On

3. If I Had A Gun...

4. The Death Of You And Me

5. (I Wanna Live In A Dream In My) Record Machine

6. AKA... What A Life!

7. Soldier Boys And Jesus Freaks

8. AKA...Broken Arrow

9. (Stranded On) The Wrong Beach

10. Stop The Clocks


As songwriter, guitarist and producer of Oasis since the band's inception in 1993, Noel Gallagher was at the helm for their global success. For 15 years - from the launch of their first indie UK singles in 1994 ("Supersonic," "Shakermaker," "Live Forever," "Cigarettes & Alcohol," "Whatever") to their final shows together in the summer of 2009.

Over the course of their seven consecutive #1 studio albums - Definitely Maybe (1994), (What's the Story) Morning Glory? (1995), Be Here Now (1997), Standing on the Shoulder of Giants (2000), Heathen Chemistry (2002), Don't Believe the Truth (2005), and Dig Out Your Soul (2008) - and one live double-album, Familiar To Millions (2000) - Oasis sold over 70 million records worldwide, including near 40x-platinum cumulative album sales and over 7 million single sales in the UK, and 7x-platinum album sales in the U.S. The band's second album, (What's the Story) Morning Glory? has sold over 22 million copies worldwide.

Oasis charted 22 consecutive Top 10 UK hits from 1995 to 2008 (including eight #1's), creating an astounding historical record. The band logged 765 total weeks on the UK singles and albums charts from 1995 to 2005, including 177 cumulative weeks for Definitely Maybe; and 145 cumulative weeks for (What's the Story) Morning Glory?.

Photo Credit: Lawrence Watson

Thursday, March 10, 2011

Liam Gallagher Announces Beady Eye Weak Sauce Tour Of 3 Measly Dates

To the email box, where Liam Gallagher's camp really wants you to believe that his new band Beady Eye will be just as good as Oasis was:

Beady Eye announce...their first North American tour dates. The band (Liam Gallagher, Gem Archer, Andy Bell and Chris Sharrock) will be giving fans a first live taste of their debut album, Different Gear, Still Speeding in a series of concerts beginning in Chicago on June 18th, followed by Toronto on June 20th and New York on June 23rd.

Beady Eye is currently on their sold-out debut European tour. UK daily newspaper, The Independent was at the tour kick off last week in Glasgow, Scotland and remarked that Beady Eye, "sound encouragingly refreshed.... you realise watching them that Beady Eye are in the very unique position of possessing iconic impetus while being newly unchained from the weight of their past."



And fans can head over to http://www.spin.com for an exclusive look at behind-the-scenes photos from Beady Eye's Glasgow show.

When asked how it felt to be on stage for the first time ever as Beady Eye, Liam Gallagher immediately said "Loved it.....can't wait to take it around the world." And Beady Eye will be doing just that throughout 2011. Fans can sign up at http://www.beadyeyemusic.com/ to be the first to receive the news.

Tickets for the North American dates go on sale on March 11th. Please see below for detailed ticketing information.


Beady Eye's debut album, Different Gear, Still Speeding was released by Dangerbird Records in North America on March 1st. The album features 13 brand new songs written by the band and recorded at RAK Studios in London last fall with GRAMMY Award-winning producer Steve Lillywhite (U2, Dave Matthews Band, The Smiths).

Upon reviewing Different Gear, Still Speeding, The Boston Globe stops the naysayers in their tracks and warns, "For all those who thought Liam Gallagher would be musically astray without big brother Noel, meet Beady Eye."

While Paste noted that Beady Eye "...sounds like Oasis returning to its less complicated roots, stripping back the heavily overdubbed layers of their curtain call, 2008's Dig Out Your Soul. Beady Eye aren't here to dick around-they're here to rock. And it would be a lie to say they've failed in that regard; this is an album of live, full-band rock 'n' roll energy, built on Rickenbacker crunch and Ludwig thump. There's no time for frills-Gallagher and company are making up for lost time."

Beady Eye was formed by three former members of Oasis, including enigmatic front man and lead vocalist Liam Gallagher. The multi-platinum and Grammy nominated Oasis sold over 70 million albums worldwide spanning seven studio albums awarded with six Brit awards, 15 NME awards, nine Q awards and four MTV Europe Music awards, just to name a few. Beady Eye's inaugural European Tour in March this year sold out within 30 minutes of going on sale. The band will be joined by Matt Jones on keyboards and Jeff Wootton on bass for all dates.

BEADY EYE NORTH AMERICAN TICKETING INFORMATION:

June 18 Chicago, IL @ Metro
On Sale March 11th at 10am at www.etix.com, www.metrochicago.com, Metro Box Office & Charge By Phone 773.549.4140

June 20 Toronto, ON @ The Sound Academy
On Sale March 11th at 10am at http://www.ticketmaster.ca & all Ticketmaster locations

June 23 New York, NY @ Webster Hall
On Sale March 11th at Noon at www.ticketmaster.com & Webster Hall & Mercury Lounge Box Offices & Charge By Phone 212.260.4700