A true music geek immerses themselves in the topic. Check
their books the next time you’re over at their place. Is there an inordinate
amount of biographies about musicians? Are there volumes of old All Music Guide
books or Rolling Stone Encyclopedia of Rock collections? Are there stacks of
old Mojo mags or fanzines in the corner? Is their dvd collection filled with
concerts or documentaries about bands?
If so, you have yourself a fanatic on your hands, and they
can probably name a few records that have triggered an internal curiosity, even
though their research has probably warned them to tread lightly.
For me, the list runs the gamut of curios and oddball
releases. They are titles that I have read about, while the knowledge gained
about them has presented the titles with equal parts hesitation and curiosity.
I’m still curious about the Jobriath albums, I look for the
Electric Prunes Mass In F Minor
whenever I’m in a used record store, and I ocassionally paruse for copies of
the long out-of-print Wild Man Fischer An
Evening With on ebay for no particular reason.
Elvis Presley’s Having
Fun With Elvis On Stage was another record that I kept an eye out for. Its
infamy created from an old Rolling Stone history book, I believe, a testament
to how far the King had faltered during the 70’s-or at least how far Colonel
Tom Parker could drag his client through the mud, tarnishing E’s crown in the
process.
The story goes how Parker was looking for new items to
peddle to fans at the merchandise table at Elvis shows. Knowing that RCA records
had a legal grip on controlling anything music related, Colonel Parker noted
that nothing in Elvis’ contract with the label prevented him from releasing a
spoken word album.
Parker quickly formed a record company (Box Car Records) and
went to work collecting bits of Presley’s stage banter into a compilation.
There is not a note of music to be found on Having
Fun With Elvis On Stage, and the “having fun” claim is because most of the
record’s running time is devoted to Elvis joking around with the audience.
Trouble is, it’s not funny at all. The “humor” comes after
Elvis is interrupted by someone in the audience screams “Elvis!” and he replies
“What?” He usually does it in a funny voice, so if that’s your idea of “having
fun,” then here’s 35 minutes of good times for you.
There’s sections of Elvis struggling to find a note,
sections devoted to Elvis handing out scarves to audience members, sections of
him joking with members of the band-essentially it’s an album with no real
purpose other than to line the wallet of one Colonel Tom Parker.
It’s not even “good” in an ironic way. There’s nothing here
that you’d be able to use for a mix tape or playlist, particularly since the
record isn’t even indexed. It’s broken down into two parts-side one and side
two-and none of it provides any historical significance or context.
Having Fun With Elvis
On Stage is worth $1 at some garage sale at the most, provided that you
immediately sell it to some Elvis collector for double the amount.
Judging by the complete lack of morals in which this record was cobbled
together, it’s what The King and The Colonel would have wanted.
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