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Lennox has a huge Brian Wilson fetish. No really, to the point where he actually sounds like the dude, if Brian Wilson ever decided to create a sonic masterpiece using nothing but loops and other repetitive patterns.
As nice as the nostalgia sounds, and as honest as Lennox is to the spirit of Brian Wilson, something’s too easy about the method he’s chosen here. Not so much with the vocal arrangements, those are top notch throughout Person Pitch, but with the idea that loops, prerecorded bits of musical material, are the foundation of the album’s entire sonic direction.
He comes close with achieving such lofty goals, namely on the twelve minute plus “Good Girl/Carrots,” which slowly transforms itself into more than a few wonderful directions. With a few more songs like this, we may have indeed found a modern suitor to the genre that Wilson initiated before sinking from the weight of its lofty intentions.
At its worst, Person Pitch sounds like a decent senior thesis that’s gotten way too much notoriety around campus. But whereas Smile has been permanently added to the reference library, Person Pitch sounds like it could fade into the woodwork when the next batch of talented freshmen roll in.
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