Saturday, July 20, 2013

It Is Now One Month Before The New No Age Record Is Released

You're welcome.

Now write it down or enter a reminder into your PDA.

Then buy it, play it, and conduct a little bit of PDA with your D/MILF who is DTF after the BBQ.

Press:

 No Age will release An Object, their 4th album, on CD, LP and digitally August 19 in UK & Europe and August 20th in North America via Sub Pop. The album, led by highlights “I Won’t Be Your Generator,” “C’mon, Stimmung,” “An Impression,” and “Lock Box”, was recorded by F. Bermudez and No Age at Gaucho's Electronics in Los Angeles. We’d like to share photographic evidence of An Object's tracklisting at this time:
More info on No Age's An Object: With An Object, their fourth full-length album, No Age has forgone the straight and narrow route, landing in a strange and unexpected place, feet planted in fresh, fertile soil. This new LP finds drummer/vocalist Dean Spunt exploding from behind his kit, landing percussive blows with amplified contact mics, 4-string bass guitars, and prepared speakers, as well as traditional forms of lumber and metal.

Meanwhile, guitarist Randy Randall corrals his previously lush, spastic, sprawling arrangements into taught, refined, rats' nests. Lyrically Spunt challenges space, fracturing ideological forms and complacency, creating a striking new perspective that reveals thematic preoccupations with structural ruptures and temporal limits. As the title An Object suggests, these eleven tracks, produced by No Age and their long-time collaborator Facundo Bermudez, who recorded tracks on their Weirdo Rippers LP (2007) and toured with the band in support of Everything In Between (2010), are meant to be grasped, not simply heard. Whether in the fine grit of Randall’s sandpaper guitar scrapes on "Defector/ed," or Spunt's percussive stomp and crack on "Circling with Dizzy" and "An Impression," created largely through the direct manipulation of contact mics, these are songs that pivot on the sheer materiality of music-making. Spunt's creative deployment of bass guitar accented through a modified speaker on the beautifully catchy "I Won't Be Your Generator" is a case in point: even at its most lyrical An Object incorporates the process of its creation into the very backbone of the songs.

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